When Morning Comes, I Feel Empty

朝がくるとむなしくなる
Asa ga Kuruto Munashiku Naru

Followed by a Q&A with Director Yuho Ishibashi. Learn More

International Premiere. A delicate and gentle drama, Yuho Ishibashi’s sophomore effort softly envelops the viewer into the day-to-day life of part-time konbini worker Nozomi, charmingly played by Asako I & II’s Erika Karata. Living a simple, carefree life, Nozomi’s preoccupations include tending to home repair, awkwardly chatting with younger coworkers under the humdrum of convenience store Muzak and stocking shelves—as well as the occasional late shift. A chance encounter with a former junior high classmate reconnects her to the world and through subtle intimations, Nozomi’s past unfolds, detailing her professional career as an overworked corporate assistant. A sensitive exploration of vying for one’s own happiness, When Morning Comes, I Feel Empty is a deeply humanizing affirmation that a fulfilling life can exist outside of societal pressure and expectation.

Winner of the JAPAN CUTS Award at the 2023 Osaka Asian Film Festival

Dir. Yuho Ishibashi, 2022, 76 min., DCP, color, in Japanese with English subtitles. With Erika Karata, Haruka Imou, Kazuma Ishibashi.

Part of JAPAN CUTS: Festival of New Japanese Film 2023
July 26—August 6, 2023

JAPAN CUTS is the largest showcase of contemporary Japanese cinema in North America and an annual highlight of New York’s cinema scene.

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Image: © Ippo.

JAPAN CUTS: Festival of New Japanese Film is generously supported by Shiseido Americas and The Globus Family. Additional support is provided by Sapporo U.S.A. and BentOn.

Japan Society programs are made possible by leadership support from Booth Ferris Foundation, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Film programs are generously supported by ORIX Corporation USA, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and Yen Press. Endowment support is provided by the Lila Wallace-Reader’s Digest Endowment Fund. Additional season support is provided by The Globus Family, David Toberisky, and Friends of Film. Transportation assistance is provided by Japan Airlines, the exclusive official Japanese airline sponsor of Japan Society Film. Housing assistance is provided by the Kitano Hotel, the official hotel sponsor of Japan Society Film.

Special Thanks to Joel Neville Anderson; Emi Ueyama (ARTicle Films); Yasuyuki Nagano (ColorBird Inc); Yuko Takagi (FreeStone Productions); Moeko Fujii; Keiko Yoshida (Gaga Corp.); Saori Takenaka (Geidai); Chance Huskey (GKIDS); Pearl Chan (Good Move Media); Eugene Harng; Toshiyuki Hasegawa; Miki Zeze (Kadokawa Corp.); KENTARO (KTRFILMS); Akiko Uchida (King Records); Maki Shimizu (Kino Films); Elizabeth Lennard; Ayako Ito (Nagoya); Mami Furukawa and Umi Yamamoto (Nikkatsu); Gerald Abraham (Okamoto Kitchen); Shinji Sakoda; Mark Schilling; Dan Sullivan; Adam Torel (Third Window Films); Shiori Takata (Toei Co. Ltd); Sam van der Meer; Makoto Kawamura (Voice); Kousuke Ono (Wa Entertainment, Inc.); K.F. Watanabe; Akiko Yano.