Tokyo is renowned for its neon signs. The next generation of signage incorporates interactive elements into the display that react or respond to its audience.
The design of the posters from this 1960s action genre evoke the films' cool aesthetic and unique sense of style with graffiti-like lettering and action-packed photography.
As these images demonstrate, contemporary interpretations have expanded the meaning of butoh far beyond the white body paint and microscopic movements typically associated with the form.
Juxtaposing the acclaimed artist Hiroshi Sugimoto's own work with a range of traditional and ritual artifacts from his personal collection, this exhibition investigates perceptions of time and the experience of history.
Sobuku, which means simple, unsophisticated, and artless, applies to the traditional crafts that evolved in the countryside of Japan—objects that were made of natural materials and intended for everyday, practical use in the rustic life of common Japanese.
Archaeological excavations of Jomon (c. 10,000-400 B.C.E.) and Yayoi (400 B.C.E.-300 C.E.) settlements have yielded evidence that a distinct Japanese sense of design, independent of mainland migratory influences, was long established on the Japanese archipelago.